Humanities

This is the eighth and final part of a series analyzing the Enochian Keys (1–6) and the PELE ring. This should be a fairly short one; I laid all of the groundwork in the previous articles, so all that's left is to put it together.

This is the seventh part of a series analyzing the Enochian Keys (1–6) and the PELE ring. In this part, I go over the final Key in these series, the sixth. Spoiler: I have no idea what is going on here. Okay, that's a lie, I kind of do actually.

This is the sixth part of a series analyzing the Enochian Keys (1–6) and the PELE ring. In this part, I unpack the cryptic phrasing in Key five, which seems to reference celestial bodies in a peculiar way.

This is the fifth part of a series analyzing the Enochian Keys (1–6) and the PELE ring. In this part, I examine Key four, which has some pretty bizarre and obliquely stated riddles to unpack.

This is the fourth part of a series analyzing the Enochian Keys (1–6) and the PELE ring. In this part, we take a look at the third Key, which is where Dee starts mentioning the 'angles'.

This is the third part of a series analyzing the Enochian Keys (1–6) and the PELE ring. Like I mention in the entry, the second Key is my favorite. Let's take a look at what's so cool about it.

This is the second part of a series analyzing the Enochian Keys (1–6) and the PELE ring. Here, I focus on the first Key, which outlines the entirety of Enochian cosmology, and do my best to uncover some of oft ignored symbolism.

This is the first part of a series analyzing the Enochian Keys (1–6) and the PELE ring. When there's treasure everywhere, any place you dig is bound to yield something of interest.

This entry really exists so I don't explode the size of other entries with repeated examples of debates. I think it's interesting to look at, but I'm probably biased.

When in the pursuit of knowledge, agreement is evidence (sorta) and disagreement is information. In the spirit of this idea, my language modeling efforts have debate and solo analysis modes—let's talk about why.

Words like hanging around their word friends when they're about the same thing. Some words wear multiple hats and hang out with different crowds—maybe they're spies? Word-artifacts are fractals mapping to the narratives of human life. Anyway, this is about clustering.

Dee & Kelley: “Here's 1,500 words of God-given celestial speech.” Me: “That's not enough to do anything with, we need more words!” In a nutshell, spelling spaghetti → substitution map → slightly less OHIO.

You might be wondering what even led someone to begin working on this project in the first place. This entry sheds some light on that.

These are really, really hard to find on the Internet for some reason. For your convenience, I have decided to provide the Enochian Keys and their translations in this entry.

In order to understand Enochiana, it is worth your while to understand the context in which it arose. This is a fairly short entry on 16th century Britain—which is not a special interest of mine so I've spent less time with it directly.

Sort of two mini-biographies of John Dee and Edward Kelly. Having a bit of context of their lives is helpful in knowing who the figures are.

There's a lot of pieces to Enochiana. I think I did a decent enough job giving a refresher about what Enochiana is, what it entails, and the context it sits in. Even if you're not familiar, it's worth a read because it lays out the main, relevant pieces.

If you were curious about the Enochian language, but wanted to digest it in a less technical way, this is not a bad place to start. Like I say in the beginning: the goal is to approach it from the perspective of curiosity and mystery.

One day I thought to myself, "Liber Loagaeth is a lot of maybe-words and it hasn't been decoded in any real capacity. What if, perchance, I threw AI at it??" This entry is an organized directory of my thoughts, records, experiments, and general misadventures in using AI to out what looks like neatly organized alphabet soup.